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Introduction
Introduction
Bill's Lecture
Early Days
(Lagos, Oldbury,Langley)
Lye &
Stambermill
Oldswinford & Stourbridge
Brierley Hill
Cradley Heath, Cradley
& Dudley
Wollescote & Kinver
Additional Material
Designs
Other Works
Bill at Work
Summary
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“It was some 54 years ago that I served a term of apprenticeship to a firm
of stained glass makers at Smethwick, afterwards commencing a business of my
own at Lye in 1925. I was very fortunate in the early years of my business
life to have been associated with a well known Midland artist, who had
studied stained glass at South Kensington and Paris, and was at one time a
teacher at West Bromwich School of Art. From him I gained considerable
knowledge of the art. Together we carried out several commissions in stained
glass until his death in 1933, including the windows of the cathedral at
Lagos, of which in 1926 the Prince of Wales laid the foundation stone. Since
those early times I have made many windows for churches around and will give
one or two examples of these during my talk.
Among the windows in the churches around are several that have interested me
over the years and I hope during the course of the evening to impart to you
some of that interest. A talk on stained glass can be dealt with in 2 ways –
either from the religious viewpoint or that of the person making the window,
the latter being chosen as more suitable here, and I hope to introduce a
little levity to the subject for which any of the clergy present may perhaps
forgive me.
A Stained glass window can be compared to a painting, except that in a
window each colour is a separate piece of coloured glass. This coloured
glass is shaded and painted with a blackish pigment which when heated to red
heat in a kiln fuses into the glass and becomes permanent. The bits of glass
are then fastened and cemented together with strips of lead which build them
up into a rigid solid panel which can be inserted into the window openings;
it is as easy and simple as that.
In the year 1807 the first of the anti-slavery laws were passed although it
was not until 1834 that slavery was finally abolished. In 1822 a Navy
gunboat H.M.S. Myrmdion, on patrol on the high seas intercepted a slave ship
bound for the Indies and liberated the slaves. Among those rescued was a
small and violently trembling black boy - all alone and very frightened –who
had been snatched from his West African mother and shipped with the slaves.
After first being taken to Sierra Leone, he was brought back to this country
and was placed in the care of the church who baptised him with a very
English sounding name and taught him to read and write. He learned his
lessons well, so well that when a young man he was ordained as a curate,
later being sent with a team of missionaries to the country of his birth
where to his astonishment and amid tearful rejoicing he found the mother,
still living and from whom he had been parted twenty five years earlier. He
did great work for the church and built a mission church at Lagos on the
Gold Coast. His activities and his name soon became well known and it was a
shock to him when, in 1864, he was suddenly recalled back to England. A
greater shock was in store for him, for on arrival in this country he was
almost immediately, and with great ceremony, created Bishop of the Niger
Territories by the Archbishop of Canterbury, the first coloured person ever
to be ordained a Bishop of the Church of England.
About twenty years after his death in 1896 Lagos rapidly developed into the
capital city of Nigeria and a cathedral was planned near the site of the old
mission church. My friend Tom Stokes was commissioned to create the great
East window to the memory of the famous black bishop, Samuel Ajaiyi Crowther,
together with several other windows, and these were made over a period of
three to four years, at my workshops in Lye.

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